Mandy Lee Jandrell’s work explores how meaning is constructed, destabilised and continually renegotiated through acts of looking.

Painting 2026

Still Life, 2025

Evidence in Camera, 2018

Eventually Everything Connects, 2015

Monsters, 2017

New Utopia, 2007-8

Eidyllion, 2005

Where The Grass is Green, 2004

Window of The World, Government Art Collection, 2005

Take Photo Here, 2003

Liminal, Michaelis School of Fine Art, 1997

Sleuth — Sluice Group Installation, Second Johannesburg Biennale (1997)

Sluice, Castle of Good Hope, Cape Town 1996

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Exhibitions and Publications

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